KEVIN VAN BRAAK
LA FACCIATA
BOOKS FOR BURNING? / / KNYGOS SUDEGINIMUI?
BOOKS FOR BURNING? / BOOK BURNING
BOOKS FOR BURNING? /DECEMBER 2008
AFTER FOUR ROTATIONS OF A, B WILL MAKE ONE REVOLUTION
BUL GEUN EOL GUL / RED HEADS
STAIRCASE
THE GOOD LIFE
STAIRCASE
UNTITLED (BUS)
GRID ROOM
CITIES OF CONTINUOUS LINES
SCALA (MARINA DI MASSA)
CAMPINGFLAT
CARAVAN 01
CARAVAN 02
NATURE AND INGENIOUSNESS
MENTAL ARCHIVE
XY
CASTLE
NEW CROSSROADS
WINTER LANDSCAPE
SUBLIMATION A SUBSTITUTE FOR RELIGIOUS SUBLIMATION
BOXING BALLS
BREATHING ROOM
SEARCHING
BATHROOM
UNTITLED INSTALLATION
UNTITLED INSTALLATION

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Video, steel construction, computer controlled electric motors, sound, 16 x 3.5 x 3.5 meter, 2004.

Click image to see video presentation.

In the narrow corridor of a former shooting range I gave new impulse to the recurring theme of my
work: the play with the vague boundaries between reality and illusion. A film of a dancer is
projected on a screen. The choreography which the dancer performs was recorded in the same
space with a steady cam. In the darkened space he is dancing to James Browns “Sex Machine”.
At the exact moment that he moves from the middle of the space and jumps against the right wall
the screen moves in the same direction. The screen is computer controlled and can move from
front to back and sideways. During the entire choreographed sequence, the screen follows the
movements of the dancer. Or does the dancer follow the movements of the screen? Through this
imitation of the screen and dancer, the filmed dancer appears to become three-dimensional again
in the dark space. One forgets that he is projected onto a two-dimensional screen and the viewer
experiences a “true illusion”.

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