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KEVIN VAN BRAAK
LA FACCIATA
BOOKS FOR BURNING? / / KNYGOS SUDEGINIMUI?
BOOKS FOR BURNING? / BOOK BURNING
BOOKS FOR BURNING? /DECEMBER 2008
AFTER FOUR ROTATIONS OF A, B WILL MAKE ONE REVOLUTION
BUL GEUN EOL GUL / RED HEADS
STAIRCASE
THE GOOD LIFE
STAIRCASE
UNTITLED (BUS)
GRID ROOM
CITIES OF CONTINUOUS LINES
SCALA (MARINA DI MASSA)
CAMPINGFLAT
CARAVAN 01
CARAVAN 02
NATURE AND INGENIOUSNESS
MENTAL ARCHIVE
XY
CASTLE
NEW CROSSROADS
WINTER LANDSCAPE
SUBLIMATION A SUBSTITUTE FOR RELIGIOUS SUBLIMATION
BOXING BALLS
BREATHING ROOM
SEARCHING
BATHROOM
UNTITLED INSTALLATION
UNTITLED INSTALLATION
BOOKS FOR BURNING? / / KNYGOS SUDEGINIMUI?
BOOKS FOR BURNING? / BOOK BURNING
BOOKS FOR BURNING? /DECEMBER 2008
AFTER FOUR ROTATIONS OF A, B WILL MAKE ONE REVOLUTION
BUL GEUN EOL GUL / RED HEADS
STAIRCASE
THE GOOD LIFE
STAIRCASE
UNTITLED (BUS)
GRID ROOM
CITIES OF CONTINUOUS LINES
SCALA (MARINA DI MASSA)
CAMPINGFLAT
CARAVAN 01
CARAVAN 02
NATURE AND INGENIOUSNESS
MENTAL ARCHIVE
XY
CASTLE
NEW CROSSROADS
WINTER LANDSCAPE
SUBLIMATION A SUBSTITUTE FOR RELIGIOUS SUBLIMATION
BOXING BALLS
BREATHING ROOM
SEARCHING
BATHROOM
UNTITLED INSTALLATION
UNTITLED INSTALLATION
WINTER LANDSCAPE
Installation, steel swiss bunker, sheep skin, cooking pots, polystyrene iglo, plastic, lamps, water, ice skates. 15 x 20 x 3 meter, 2004.
During a three month residency called “The Fifth Season” where I lived in a psychiatric institution, I created a winter landscape, which was partly artificial and partly real - like the rest of the surroundings of the psychiatric institution. As soon as you would drive onto the terrain of the institution, you could feel as though you're being sidetracked, but then towards to a dead end. The changing curiosity and presence of the patients corresponded with the changing weather. The resulting influence on my project was an illusion of a winter landscape in a winter which was everything but strong.
Installation, steel swiss bunker, sheep skin, cooking pots, polystyrene iglo, plastic, lamps, water, ice skates. 15 x 20 x 3 meter, 2004.
During a three month residency called “The Fifth Season” where I lived in a psychiatric institution, I created a winter landscape, which was partly artificial and partly real - like the rest of the surroundings of the psychiatric institution. As soon as you would drive onto the terrain of the institution, you could feel as though you're being sidetracked, but then towards to a dead end. The changing curiosity and presence of the patients corresponded with the changing weather. The resulting influence on my project was an illusion of a winter landscape in a winter which was everything but strong.
